The series, in order
In 1989 the American musicologist Alan W. Pollack started to analyze the songs of the Beatles. He published his first results on internet. In 1991 — after he had finished the work on 28 songs — he bravely decided to do the whole lot of them. About ten years later, in 2000 he completed the analysis of the official Beatles’ canon, consisting of 187 songs and 25 covers.
Groupings and introductions by Ger Tillekens. Years are when Pollack first wrote the note, and when he revised it. Check marks show what you’ve read in this browser.
1–28
The first 28 song analyses
Pollack started his series with choosing 28 songs more or less arbitrarily from the songbook of the Beatles. These articles are especially interesting, because Pollack spices his analyses with some lucid explanations of his musicological insights and knowledge. If you are unknown in musicological territory, the best you can do is to read these pieces in numerical order. You’ll find the index here down below. From the left to the right in the columns you’ll see Pollack’s number of the song, the title of the song, the year of publication and the number of the song in Ian MacDonald’s book Revolution in the Head , as this last book gives some usefull information for those who want to know more about it than just the musicological aspects.
- 1 We Can Work It Out 1989, rev. 2000
- 2 Eight Days A Week 1989, rev. 2000
- 3 And I Love Her 1989, rev. 2000
- 4 Day Tripper 1989, rev. 2000
- 5 She Loves You 1989, rev. 2000
- 6 Help! 1989, rev. 2000
- 7 You’re Going To Lose That Girl 1989, rev. 2000
- 8 No Reply 1989, rev. 2000
- 9 You Won’t See Me 1989, rev. 2000
- 10 It Won’t Be Long 1989, rev. 2000
- 11 Good Day Sunshine 1989, rev. 2000
- 12 She Said She Said 1989, rev. 2000
- 13 You Never Give Me Your Money 1989, rev. 2000
- 14 Hey Jude 1990, rev. 2000
- 15 I Should Have Known Better 1990, rev. 2000
- 16 Thank You Girl 1990, rev. 2000
- 17 Any Time At All 1990, rev. 2000
- 18 You’ve Got To Hide Your Love Away 1990, rev. 2000
- 19 I’ll Be Back 1990, rev. 2000
- 20 Birthday 1990, rev. 2000
- 21 Love Me Do 1990, rev. 2000
- 22 Please Please Me 1990, rev. 2000
- 23 Intro to ‘Strawberry Fields Forever’ 1990, rev. 2000
- 24 Things We Said Today 1991, rev. 2001
- 25 While My Guitar Gently Weeps 1991, rev. 2001
- 26 I Saw Her Standing There 1991, rev. 2001
- 27 All My Loving 1991, rev. 2001
- 28 From Me To You 1991, rev. 2001
29–64
Beatlemania (1962-1964)
At the end of 1962 the Beatles released their first single Love Me Do / P.S. I Love You . It was followed shortly in January 1963 by their second one Please Please Me / Ask Me Why . Then, in April From Me To You / Thank You Girl appeared. The same month saw their first album: Please Please Me . It was followed in August by the single She Loves You / I’ll Get You . Next in November the public could buy both the single I Want To Hold Your Hand / This Boy and the album With The Beatles . It started the Beatlemania, that reigned high in 1964. That year the group released the single Can’t Buy Me Love / You Can’t Do That in February, followed in June by the EP Long Tall Sally with the original I Call Your Name and three cover songs. One month later, in July, already the single A Hard Day’s Night / Things We Said Today and the album A Hard Day’s Night were available to the public. In November of the same year the single I Feel Fine / She’s A Woman and the album Beatles For Sale were released. All in all this output totals to eight singles, one EP and four albums, of which the songs are analyzed here by Alan W. Pollack.
- 29 Misery 1991, rev. 2001
- 30 P.S. I Love You 1991, rev. 2001
- 31 There’s A Place 1991, rev. 2001
- 32 Do You Want To Know A Secret 1991, rev. 2001
- 33 Ask Me Why 1991, rev. 2001
- 34 I’ll Get You 1991, rev. 2001
- 35 Cover Songs on ‘Please Please Me’ 1991
- 36 All I’ve Got To Do 1991
- 37 Don’t Bother Me 1991
- 38 Little Child 1991
- 39 Hold Me Tight 1991
- 40 I Wanna Be Your Man 1991
- 41 Not A Second Time 1991
- 42 Cover Songs on ‘With The Beatles’ 1991
- 43 I Want To Hold Your Hand 1991
- 44 This Boy 1991
- 45 Can’t Buy Me Love 1992
- 46 You Can’t Do That 1992
- 47 I Call Your Name 1992
- 48 Cover Songs on ‘Long Tall Sally’ 1992
- 49 A Hard Day’s Night 1992
- 50 If I Fell 1992
- 51 I’m Happy Just To Dance With You 1992
- 52 Tell Me Why 1992
- 53 I’ll Cry Instead 1992
- 54 When I Get Home 1992
- 55 I Feel Fine 1992
- 56 She’s A Woman 1992
- 57 I’m A Loser 1992
- 58 Notes on the ‘Notes on ...’ Series 1993
- 59 Baby’s In Black 1992
- 60 I’ll Follow The Sun 1992
- 61 Every Little Thing 1992
- 62 I Don’t Want To Spoil The Party 1992
- 63 What You’re Doing 1992
- 64 Cover Songs on ‘Beatles For Sale’ 1992
65–103
Becoming artists (1965-1966)
In the middle of the sixties rock musicians began to see themselves as artists. The Beatles stood at the front of this movement, treating their music as an artistic expression of their emotions and a serious reflection of their feelings. The Beatles already departed from their image as teenage stars with their first single of the year 1965 Ticket To Ride / Yes It Is , which appeared in April. This tendency became stronger in their summer single Help! / I’m Down , released in July, and the sound tracks on on the album with the same name, released in August. December saw the album Rubber Soul and the single Day Tripper / We Can Work It Out . The Beatles started late in 1966. In July they released the single Paperback Writer / Rain . One month later, in August, the album Revolver followed step. As Pollack shows in his analyses the development of the group in these years is ruled by a growing independency from their musical roots.
- 65 Ticket To Ride 1992
- 66 Yes It Is 1992
- 67 Tell Me What You See 1992
- 68 You Like Me Too Much 1992
- 69 I’m Down 1992
- 70 The Night Before 1992
- 71 I Need You 1992
- 72 Another Girl 1992
- 73 It’s Only Love 1993
- 74 I’ve Just Seen A Face 1993
- 75 Yesterday 1993
- 76 Cover Songs on ‘Help!’ and ‘Beatles VI’ 1993
- 77 Drive My Car 1993, rev. 2001
- 78 Norwegian Wood (This Bird Has Flown) 1993
- 79 Nowhere Man 1993
- 80 Think For Yourself 1993
- 81 The Word 1993
- 82 Michelle 1993
- 83 What Goes On 1993
- 84 Girl 1993
- 85 I’m Looking Through You 1993
- 86 In My Life 1993
- 87 Wait 1993
- 88 If I Needed Someone 1993
- 89 Run For Your Life 1993
- 90 Frequently Asked Questions About the ‘Notes on...’ Series 1993
- 91 ‘Paperback Writer’ and ‘Rain’ 1993
- 92 Taxman 1994
- 93 Eleanor Rigby 1994
- 94 I’m Only Sleeping 1994
- 95 Love You To 1994
- 96 Here, There, and Everywhere 1994
- 97 Yellow Submarine 1994
- 98 And Your Bird Can Sing 1995
- 99 For No One 1995
- 100 Doctor Robert 1995
- 101 I Want To Tell You 1995
- 102 Got To Get You Into My Life 1995
- 103 Tomorrow Never Knows 1995
104–160
The studio years (1967-1968)
In 1967 the Beatles withdrew in the recording studio. Because of this the years 1967 and 1968 have become known as their studio years. The output was as psychedelic in content as impressive from a musical perspective. In February 1967 the group released the single Penny Lane / Strawberry Fields Forever ; followed in June by the album Sgt. Pepper’s Lonely Hearts Club Band . Next in July the public got the surprise of the single All You Need Is Love / Baby You’re A Rich Man . Then in November the single Hello Goodbye / I’m The Walrus was released, which already in December was followed by the double EP Magical Mystery Tour . March 1968 saw the single Lady Madonna / The Inner Light and the last days of August Hey Jude / Revolution . In July the cartoon movie Yellow Submarine made its way into the theaters (the songs were released on album in January 1969). The lack of albums that year was filled up in November with the White Album .
- 104 Penny Lane 1995
- 105 Strawberry Fields Forever 1995
- 106 Sgt. Pepper’s Lonely Hearts Club Band 1995
- 107 With A Little Help From My Friends 1995
- 108 Lucy In The Sky With Diamonds 1995
- 109 Getting Better 1995
- 110 Fixing A Hole 1996
- 111 She’s Leaving Home 1996
- 112 Being For The Benefit Of Mr. Kite 1996
- 113 Within You Without You 1996
- 114 When I’m Sixty-Four 1996
- 115 Lovely Rita 1996
- 116 Good Morning, Good Morning 1996
- 117 ‘Reprise’ and ‘A Day In The Life’ 1996
- 118 All You Need Is Love 1996
- 119 Baby You’re A Rich Man 1996
- 120 Hello Goodbye 1996
- 121 I Am The Walrus 1996
- 122 Magical Mystery Tour 1996
- 123 The Fool On The Hill 1996
- 124 Flying 1996
- 125 Blue Jay Way 1997
- 126 Your Mother Should Know 1997
- 127 Lady Madonna 1997
- 128 The Inner Light 1997
- 129 ‘Revolution’ and ‘Revolution 1’ 1997
- 130 Back In The USSR 1997
- 131 Dear Prudence 1997
- 132 Glass Onion 1997
- 133 Ob-La-Di, Ob-La-Da 1997
- 134 Wild Honey Pie 1997
- 135 The Continuing Story Of Bungalow Bill 1997
- 136 Happiness Is A Warm Gun 1997
- 137 Martha My Dear 1997
- 138 I’m So Tired 1997
- 139 Blackbird 1997
- 140 Piggies 1998
- 141 Rocky Raccoon 1998
- 142 Don’t Pass Me By 1998
- 143 Why Don’t We Do It In The Road 1998
- 144 I Will 1998
- 145 Julia 1998
- 146 Yer Blues 1998
- 147 Mother Nature’s Son 1998
- 148 Everybody’s Got Something To Hide Except For Me And My Monkey 1998
- 149 Sexy Sadie 1998
- 150 Helter Skelter 1998
- 151 Long, Long, Long 1998
- 152 Honey Pie 1998
- 153 Savoy Truffle 1998
- 154 Cry Baby Cry 1998
- 155 Revolution #9 1998
- 156 Good Night 1998
- 157 Only A Northern Song 1998
- 158 All Together Now 1998
- 159 Hey Bulldog 1998
- 160 It’s All Too Much 1998
161–195
Get back (1969-1970)
In the last years of their career the final split of the group already became visible in the growing number of solo projects. As an antidote to their conflicts in January 1969 the Beatles initiated their Get Back project at the Twickenham Film Studios in London. In April they released the single Get Back / Don’t Let Me Down , followed in May by The Ballad Of John And Yoko / Old Brown Shoe . Some of the other results of this tribute to their roots are collected on the album Abbey Road (September 1969), the single Let It Be / You Know My Name (March 1970) and the last album Let It Be (May 1970). To his analyses of these songs Pollack adds his views on the two original songs on the recent Anthology CD’s: Free As A Bird and Real Love .
- 161 Get Back 1999
- 162 Don’t Let Me Down 1999
- 163 The Ballad Of John And Yoko 1999
- 164 Old Brown Shoe 1999
- 165 Let It Be 1999
- 166 You Know My Name (Look Up The Number) 1999
- 167 Two Of Us 1999
- 168 Dig A Pony 1999
- 169 Across The Universe 1999
- 170 I Me Mine 1999
- 171 Dig It 1999
- 172 Maggie Mae 1999
- 173 I’ve Got A Feeling 1999
- 174 One After 909 1999
- 175 The Long And Winding Road 1999
- 176 For You Blue 1999
- 177 Come Together 1999
- 178 Something 1999
- 179 Maxwell’s Silver Hammer 1999
- 180 Oh! Darling 1999
- 181 Octopus’s Garden 1999
- 182 I Want You (She’s So Heavy) 1999
- 183 Here Comes The Sun 1999
- 184 Because 1999
- 185 Sun King 1999
- 186 Mean Mr Mustard 1999
- 187 Polythene Pam 1999
- 188 She Came In Through The Bathroom Window 2000
- 189 Golden Slumbers 2000
- 190 Carry That Weight 2000
- 191 The End 2000
- 192 The “Abbey Road” Medley 2000
- 193 Her Majesty 2000
- 194 Free As A Bird 1995
- 195 Real Love 1995
- 196 Ian Hammond Interviews Alan W. Pollack 2000
- 197 Quarrymen Sessions 2000
- 198 Can You Take Me Back 2001
- 199 Percy Phillips Shellac 2001
- 200 Notes on Three Simple Songs That Didn’t Make It 2001
196–200
Extras
After finishing the canon, Pollack added notes on recordings outside it, and looked back on the project in an interview.