Notes on

The series, in order

In 1989 the American musicologist Alan W. Pollack started to analyze the songs of the Beatles. He published his first results on internet. In 1991 — after he had finished the work on 28 songs — he bravely decided to do the whole lot of them. About ten years later, in 2000 he completed the analysis of the official Beatles’ canon, consisting of 187 songs and 25 covers.

Groupings and introductions by Ger Tillekens. Years are when Pollack first wrote the note, and when he revised it. Check marks show what you’ve read in this browser.

1–28

The first 28 song analyses

Pollack started his series with choosing 28 songs more or less arbitrarily from the songbook of the Beatles. These articles are especially interesting, because Pollack spices his analyses with some lucid explanations of his musicological insights and knowledge. If you are unknown in musicological territory, the best you can do is to read these pieces in numerical order. You’ll find the index here down below. From the left to the right in the columns you’ll see Pollack’s number of the song, the title of the song, the year of publication and the number of the song in Ian MacDonald’s book Revolution in the Head , as this last book gives some usefull information for those who want to know more about it than just the musicological aspects.

  1. 1 We Can Work It Out 1989, rev. 2000
  2. 2 Eight Days A Week 1989, rev. 2000
  3. 3 And I Love Her 1989, rev. 2000
  4. 4 Day Tripper 1989, rev. 2000
  5. 5 She Loves You 1989, rev. 2000
  6. 6 Help! 1989, rev. 2000
  7. 7 You’re Going To Lose That Girl 1989, rev. 2000
  8. 8 No Reply 1989, rev. 2000
  9. 9 You Won’t See Me 1989, rev. 2000
  10. 10 It Won’t Be Long 1989, rev. 2000
  11. 11 Good Day Sunshine 1989, rev. 2000
  12. 12 She Said She Said 1989, rev. 2000
  13. 13 You Never Give Me Your Money 1989, rev. 2000
  14. 14 Hey Jude 1990, rev. 2000
  15. 15 I Should Have Known Better 1990, rev. 2000
  16. 16 Thank You Girl 1990, rev. 2000
  17. 17 Any Time At All 1990, rev. 2000
  18. 18 You’ve Got To Hide Your Love Away 1990, rev. 2000
  19. 19 I’ll Be Back 1990, rev. 2000
  20. 20 Birthday 1990, rev. 2000
  21. 21 Love Me Do 1990, rev. 2000
  22. 22 Please Please Me 1990, rev. 2000
  23. 23 Intro to ‘Strawberry Fields Forever’ 1990, rev. 2000
  24. 24 Things We Said Today 1991, rev. 2001
  25. 25 While My Guitar Gently Weeps 1991, rev. 2001
  26. 26 I Saw Her Standing There 1991, rev. 2001
  27. 27 All My Loving 1991, rev. 2001
  28. 28 From Me To You 1991, rev. 2001

29–64

Beatlemania (1962-1964)

At the end of 1962 the Beatles released their first single Love Me Do / P.S. I Love You . It was followed shortly in January 1963 by their second one Please Please Me / Ask Me Why . Then, in April From Me To You / Thank You Girl appeared. The same month saw their first album: Please Please Me . It was followed in August by the single She Loves You / I’ll Get You . Next in November the public could buy both the single I Want To Hold Your Hand / This Boy and the album With The Beatles . It started the Beatlemania, that reigned high in 1964. That year the group released the single Can’t Buy Me Love / You Can’t Do That in February, followed in June by the EP Long Tall Sally with the original I Call Your Name and three cover songs. One month later, in July, already the single A Hard Day’s Night / Things We Said Today and the album A Hard Day’s Night were available to the public. In November of the same year the single I Feel Fine / She’s A Woman and the album Beatles For Sale were released. All in all this output totals to eight singles, one EP and four albums, of which the songs are analyzed here by Alan W. Pollack.

  1. 29 Misery 1991, rev. 2001
  2. 30 P.S. I Love You 1991, rev. 2001
  3. 31 There’s A Place 1991, rev. 2001
  4. 32 Do You Want To Know A Secret 1991, rev. 2001
  5. 33 Ask Me Why 1991, rev. 2001
  6. 34 I’ll Get You 1991, rev. 2001
  7. 35 Cover Songs on ‘Please Please Me’ 1991
  8. 36 All I’ve Got To Do 1991
  9. 37 Don’t Bother Me 1991
  10. 38 Little Child 1991
  11. 39 Hold Me Tight 1991
  12. 40 I Wanna Be Your Man 1991
  13. 41 Not A Second Time 1991
  14. 42 Cover Songs on ‘With The Beatles’ 1991
  15. 43 I Want To Hold Your Hand 1991
  16. 44 This Boy 1991
  17. 45 Can’t Buy Me Love 1992
  18. 46 You Can’t Do That 1992
  19. 47 I Call Your Name 1992
  20. 48 Cover Songs on ‘Long Tall Sally’ 1992
  21. 49 A Hard Day’s Night 1992
  22. 50 If I Fell 1992
  23. 51 I’m Happy Just To Dance With You 1992
  24. 52 Tell Me Why 1992
  25. 53 I’ll Cry Instead 1992
  26. 54 When I Get Home 1992
  27. 55 I Feel Fine 1992
  28. 56 She’s A Woman 1992
  29. 57 I’m A Loser 1992
  30. 58 Notes on the ‘Notes on ...’ Series 1993
  31. 59 Baby’s In Black 1992
  32. 60 I’ll Follow The Sun 1992
  33. 61 Every Little Thing 1992
  34. 62 I Don’t Want To Spoil The Party 1992
  35. 63 What You’re Doing 1992
  36. 64 Cover Songs on ‘Beatles For Sale’ 1992

65–103

Becoming artists (1965-1966)

In the middle of the sixties rock musicians began to see themselves as artists. The Beatles stood at the front of this movement, treating their music as an artistic expression of their emotions and a serious reflection of their feelings. The Beatles already departed from their image as teenage stars with their first single of the year 1965 Ticket To Ride / Yes It Is , which appeared in April. This tendency became stronger in their summer single Help! / I’m Down , released in July, and the sound tracks on on the album with the same name, released in August. December saw the album Rubber Soul and the single Day Tripper / We Can Work It Out . The Beatles started late in 1966. In July they released the single Paperback Writer / Rain . One month later, in August, the album Revolver followed step. As Pollack shows in his analyses the development of the group in these years is ruled by a growing independency from their musical roots.

  1. 65 Ticket To Ride 1992
  2. 66 Yes It Is 1992
  3. 67 Tell Me What You See 1992
  4. 68 You Like Me Too Much 1992
  5. 69 I’m Down 1992
  6. 70 The Night Before 1992
  7. 71 I Need You 1992
  8. 72 Another Girl 1992
  9. 73 It’s Only Love 1993
  10. 74 I’ve Just Seen A Face 1993
  11. 75 Yesterday 1993
  12. 76 Cover Songs on ‘Help!’ and ‘Beatles VI’ 1993
  13. 77 Drive My Car 1993, rev. 2001
  14. 78 Norwegian Wood (This Bird Has Flown) 1993
  15. 79 Nowhere Man 1993
  16. 80 Think For Yourself 1993
  17. 81 The Word 1993
  18. 82 Michelle 1993
  19. 83 What Goes On 1993
  20. 84 Girl 1993
  21. 85 I’m Looking Through You 1993
  22. 86 In My Life 1993
  23. 87 Wait 1993
  24. 88 If I Needed Someone 1993
  25. 89 Run For Your Life 1993
  26. 90 Frequently Asked Questions About the ‘Notes on...’ Series 1993
  27. 91 ‘Paperback Writer’ and ‘Rain’ 1993
  28. 92 Taxman 1994
  29. 93 Eleanor Rigby 1994
  30. 94 I’m Only Sleeping 1994
  31. 95 Love You To 1994
  32. 96 Here, There, and Everywhere 1994
  33. 97 Yellow Submarine 1994
  34. 98 And Your Bird Can Sing 1995
  35. 99 For No One 1995
  36. 100 Doctor Robert 1995
  37. 101 I Want To Tell You 1995
  38. 102 Got To Get You Into My Life 1995
  39. 103 Tomorrow Never Knows 1995

104–160

The studio years (1967-1968)

In 1967 the Beatles withdrew in the recording studio. Because of this the years 1967 and 1968 have become known as their studio years. The output was as psychedelic in content as impressive from a musical perspective. In February 1967 the group released the single Penny Lane / Strawberry Fields Forever ; followed in June by the album Sgt. Pepper’s Lonely Hearts Club Band . Next in July the public got the surprise of the single All You Need Is Love / Baby You’re A Rich Man . Then in November the single Hello Goodbye / I’m The Walrus was released, which already in December was followed by the double EP Magical Mystery Tour . March 1968 saw the single Lady Madonna / The Inner Light and the last days of August Hey Jude / Revolution . In July the cartoon movie Yellow Submarine made its way into the theaters (the songs were released on album in January 1969). The lack of albums that year was filled up in November with the White Album .

  1. 104 Penny Lane 1995
  2. 105 Strawberry Fields Forever 1995
  3. 106 Sgt. Pepper’s Lonely Hearts Club Band 1995
  4. 107 With A Little Help From My Friends 1995
  5. 108 Lucy In The Sky With Diamonds 1995
  6. 109 Getting Better 1995
  7. 110 Fixing A Hole 1996
  8. 111 She’s Leaving Home 1996
  9. 112 Being For The Benefit Of Mr. Kite 1996
  10. 113 Within You Without You 1996
  11. 114 When I’m Sixty-Four 1996
  12. 115 Lovely Rita 1996
  13. 116 Good Morning, Good Morning 1996
  14. 117 ‘Reprise’ and ‘A Day In The Life’ 1996
  15. 118 All You Need Is Love 1996
  16. 119 Baby You’re A Rich Man 1996
  17. 120 Hello Goodbye 1996
  18. 121 I Am The Walrus 1996
  19. 122 Magical Mystery Tour 1996
  20. 123 The Fool On The Hill 1996
  21. 124 Flying 1996
  22. 125 Blue Jay Way 1997
  23. 126 Your Mother Should Know 1997
  24. 127 Lady Madonna 1997
  25. 128 The Inner Light 1997
  26. 129 ‘Revolution’ and ‘Revolution 1’ 1997
  27. 130 Back In The USSR 1997
  28. 131 Dear Prudence 1997
  29. 132 Glass Onion 1997
  30. 133 Ob-La-Di, Ob-La-Da 1997
  31. 134 Wild Honey Pie 1997
  32. 135 The Continuing Story Of Bungalow Bill 1997
  33. 136 Happiness Is A Warm Gun 1997
  34. 137 Martha My Dear 1997
  35. 138 I’m So Tired 1997
  36. 139 Blackbird 1997
  37. 140 Piggies 1998
  38. 141 Rocky Raccoon 1998
  39. 142 Don’t Pass Me By 1998
  40. 143 Why Don’t We Do It In The Road 1998
  41. 144 I Will 1998
  42. 145 Julia 1998
  43. 146 Yer Blues 1998
  44. 147 Mother Nature’s Son 1998
  45. 148 Everybody’s Got Something To Hide Except For Me And My Monkey 1998
  46. 149 Sexy Sadie 1998
  47. 150 Helter Skelter 1998
  48. 151 Long, Long, Long 1998
  49. 152 Honey Pie 1998
  50. 153 Savoy Truffle 1998
  51. 154 Cry Baby Cry 1998
  52. 155 Revolution #9 1998
  53. 156 Good Night 1998
  54. 157 Only A Northern Song 1998
  55. 158 All Together Now 1998
  56. 159 Hey Bulldog 1998
  57. 160 It’s All Too Much 1998

161–195

Get back (1969-1970)

In the last years of their career the final split of the group already became visible in the growing number of solo projects. As an antidote to their conflicts in January 1969 the Beatles initiated their Get Back project at the Twickenham Film Studios in London. In April they released the single Get Back / Don’t Let Me Down , followed in May by The Ballad Of John And Yoko / Old Brown Shoe . Some of the other results of this tribute to their roots are collected on the album Abbey Road (September 1969), the single Let It Be / You Know My Name (March 1970) and the last album Let It Be (May 1970). To his analyses of these songs Pollack adds his views on the two original songs on the recent Anthology CD’s: Free As A Bird and Real Love .

  1. 161 Get Back 1999
  2. 162 Don’t Let Me Down 1999
  3. 163 The Ballad Of John And Yoko 1999
  4. 164 Old Brown Shoe 1999
  5. 165 Let It Be 1999
  6. 166 You Know My Name (Look Up The Number) 1999
  7. 167 Two Of Us 1999
  8. 168 Dig A Pony 1999
  9. 169 Across The Universe 1999
  10. 170 I Me Mine 1999
  11. 171 Dig It 1999
  12. 172 Maggie Mae 1999
  13. 173 I’ve Got A Feeling 1999
  14. 174 One After 909 1999
  15. 175 The Long And Winding Road 1999
  16. 176 For You Blue 1999
  17. 177 Come Together 1999
  18. 178 Something 1999
  19. 179 Maxwell’s Silver Hammer 1999
  20. 180 Oh! Darling 1999
  21. 181 Octopus’s Garden 1999
  22. 182 I Want You (She’s So Heavy) 1999
  23. 183 Here Comes The Sun 1999
  24. 184 Because 1999
  25. 185 Sun King 1999
  26. 186 Mean Mr Mustard 1999
  27. 187 Polythene Pam 1999
  28. 188 She Came In Through The Bathroom Window 2000
  29. 189 Golden Slumbers 2000
  30. 190 Carry That Weight 2000
  31. 191 The End 2000
  32. 192 The “Abbey Road” Medley 2000
  33. 193 Her Majesty 2000
  34. 194 Free As A Bird 1995
  35. 195 Real Love 1995
  36. 196 Ian Hammond Interviews Alan W. Pollack 2000
  37. 197 Quarrymen Sessions 2000
  38. 198 Can You Take Me Back 2001
  39. 199 Percy Phillips Shellac 2001
  40. 200 Notes on Three Simple Songs That Didn’t Make It 2001

196–200

Extras

After finishing the canon, Pollack added notes on recordings outside it, and looked back on the project in an interview.

  1. 196“I was nervously waiting …”, an interview with Ian Hammond
  2. 197The Quarrymen sessions
  3. 198Can You Take Me Back
  4. 199The Percy Phillips shellac
  5. 200Three simple songs that didn’t make it
  6. “Alternate” versions: which are the best?
  7. Frequently asked questions about the series

    Type a song title, or try “V-of-V”, “Mixolydian” or “cross relation”.